The Glass Sponge

In this strong and vulnerable collection of poetry, the poet spins out a thoughtful imagery of innocence and culpability, for (and of) "the users and the abused". Salvation by imagination is the lifeline running throughout this chapbook - the imagination of other worlds, the worlds of one's own volition - from old baseball fields, to quicksilver waves, to the vast unjudging Milky Way, accompanied by Michelangelo's angel and Rodin's Cupid. These poems should be read in places where, as the poet puts it, "The Magic Was Missing From The Room", in places where one's "blood runs forsythia yellow", where the signature listeners are soldier-stiff Gapkids facing a tender bleakness. Jules Jacob inhabits a dichotomous world, and with delicate magnetism, draws us into it, in each poem.

— Dr. Harrison Solow. Harrison Solow is a Pushcart Prize winning writer, author and university professor. Her latest book is Felicity & Barbara Pym.

Jacob's poetry collection, The Glass Sponge, traces family moments in "Dream House" through the "...lazy moonlight" as the sound barrier is broken, warning us, Ozzy and Harriet have stepped out. A tenderness emerges through the fear and angst of family abuse with a compassionate eye and an intimate understanding of the toll abusers demand.

Family is defined with the clarity of the mother, the child, and the wife. In the poem, "Patterns," hopelessness emerges each day, each week, each year... "Step-mother sprawled/in the chair at night/watched TV, drank Long Island Tea/and stole the magic from the room./Father dozed on the couch/unaware it was missing...

Power is garnered from a subtle and elegant metaphor in, "Losing my Convictions." Pain, rebellion, revelation are swiftly detailed: "when my Achilles heel is screaming/I'll kick off your cause/and continue walking in my bare feet./"

Even in the midst of joy, peace is riddled with fear. In "Jellyfish Dance," Jacob's writes, "look at me, Mama./Dance like a jellyfish, Mama—/like me. Momentarily safe,/temporarily free."

Jacob courageously breaks the silence of abuse.

— Diane Smith, Founder and Editor of the Award Winning Journal Grey Sparrow published by Grey Sparrow Press: a 501C3 Corporation

Jules Jacob is a lyrical truth-teller in The Glass Sponge. Her poetry breaks silences, giving us more breathable air.

— Marilyn Kallet, Director, Creative Writing Program, University of Tennessee
Author of 15 books, including Packing Light: New and Selected Poems

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The beauty, joy, and craft in your work are an inspiration to use. It is a great pleasure and true honor to publish your work.
— Gerard P. NeCastro, Editor
The Binnacle

We received nearly 950 submissions from twenty-two countries and six continents, many of which were worthy of inclusion in a volume such as this.  From this wonderful gathering of works we chose fifty-seven pieces, including yours that we felt had the greatest merit.

— Eighth Annual Ultra-Short Competition

Publishing great work is what CPR is all about. Thanks again for sharing your fine work.

— Barry Basden, Editor
Camroc Press Review

To live is so startling it leaves little time for anything else.

— Emily Dickinson

Jules Jacob

Jules JacobJulie "Jules" Jacob is the author of The Glass Sponge, a semi-finalist in the 2012 New Women's Voices Chapbook Competition, published May 2013 by Finishing Line Press. Jules' poems, short stories, and non-fiction essays have appeared in a variety of print and online publications including Rust + Moth, Third Wednesday, Frogpond, Camroc Press Review, Grey Sparrow Journal, The Binnacle Literary Journal of Coastal Maine, The Writer's Gazette and elsewhere. She was selected to participate in The Virginia Center for the Creative Arts 2015 Poetry Workshop in Auvillar, France.

Jules attended the University of New Hampshire, The Horticultural Therapy Institute and Colorado State University. Her deep curiosity, and affinity for the natural world led her to become a Horticultural Therapist and Master Gardener Emeritus for the University of Missouri Extension. Jules advocates for abused and neglected children for CASA of Southwest Missouri and lives in the Mark Twain National Forest near Branson, Missouri.

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The Glass Sponge Cover"Salvation by imagination is the lifeline running throughout this chapbook..."

— Dr. Harrison Solow. Harrison Solow is a Pushcart Prize winning writer, author and university professor. Her latest book is Felicity & Barbara Pym.

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